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Still Life with Poinsettia and Pomegranate Painting
Tamara Jare , 2021
Slovenia
Painting, Oil on Canvas
Size: 19.7 W x 27.5 H x 0.6 D in
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Black Friday Starts Now!
Head to Tamara Jare Saatchi Art Shop to get the coupons:
Code NOVEMBERART15 gets you 15% off Originals €2000+
Code NOVEMBERART10 gets you 10% off Originals €1000+
The items will ship flat in a sturdy, well-protected cardboard box. Expect your artwork to arrive with plenty of support packaged in to make its journey as safe as possible as it travels from the artist’s studio to your home.
Delivery Time: Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:7-day return policy.
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Black Friday Starts Now!
Code NOVEMBERART15 gets you 15% off Originals €2000+
Code NOVEMBERART10 gets you 10% off Originals €1000+
Shipping included, 7 day money back guarantee
Happy shopping
https://www.saatchiart.com/tamarajare
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November Bouquet is my new still life painting, finished today. Ah, all those colors of this year’s late autumn!
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Reading: Maurice Utrillo
Got this book a couple of days ago. Consuming most of the art on the daily basis via internet holding a vintage art book in the hands brings back warm feelings, the almost forgotten memories of the times when the books had just a few color illustrations, sometimes like here on separate plates glued to the pages. Not perfect reproductions(by today’s standards, but professional at the time) on shiny paper, still smelling of the print color seem almost irreal today, breaking the certainty of the perfect photography into different possibilities drawn by slightly wrong color scheme of that time reproductions.
I grew up in a family of a professional painter and my late mother let me take her art books whenever I wanted. I loved digging into the new worlds of colors, pictured characters, even stories told without words. Among my favorite books were art history books , as there were so many different pictures (as at that time I couldn’t read), Suzanne Valadon and Velasquez monographs, all the books with Matisse and a small book with hundred’s of sailing boats drawn with stylized triangles in orange tonalities, but can’t remember the artist. I’ve also known Utrillo ‘s work by that time, yet was surprised today to find out, just by opening the first pages of the book, that he has been close to my heart since I’ve remembered.
Ps Maurice Utrillo was Suzanne Valadon’s son
Maurice Utrillo by Werner Herzog, publishers Harry N. Abrams, 1953
#artbook #art #artiststudio #artist #artistsoninstagram #visualarts #mauriceutrillo #utrillo #suzanevaladon #artistsoninstagram #instaart #artist #artists #book #booklover #instabook #arthistory #peintre #peintres #vintagebooks #painting #tamarajare #tamarajareart #artistsofinstagram #instaart #atelierdartiste #wernerherzog #harrynabramsincpublishers
And of course I couldn’t resist not to paint at least a piece after Utrillo! Here it comes: Sacre Coeur de Montmartre, after Utrillo, watercolor and pencil on vintage paper, 2022
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Painting Series Autumn Forest is my new landscape series. Catching all the colors of a bright day in the forest has been a complete joy. I’ve taken photos on my walks to the near forest, just to have reference point for my future work in the studio.
But as the painting has evolved, the subconscious memories of all the paths walked so many times since my childhood, walked alone or in the company of my parents, sister, friends, kids, cousins, husband, have returned and merged into the palette of autumn nature.
Many things have changed in this forest since my childhood, some paths have been overgrown, new trees have embraced the sky, wind and snow have broken old spruces and lonely walkers have walked down some new paths. But as different the appearance of the forest might now be, with almost unrecognizable parts since many years ago, yet the colors, sound of the wind in the pine trees mixing with some distant birds sweet songs and the smell of the brown earth cowered with the golden leaves remained just the same as they were in my early memories…….
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ROSSOCINABRO – AMACI – PRESS RELEASE
AQUA and ECOLOGY AS A FEELING
18° Contemporary Day AMACI
Rome 1st – 8th October 2022
Opening Saturday 8th October
Curated by Rossocinabro
Rossocinabro in collaboration with Il Leone Art Gallery present for the event:
Title: AQUA
Exhibition date: 1st – 8th October
Venue: Rossocinabro Roma, Via Raffaele Cadorna 28
Meeting the artists: Saturday, 8 October 5 – 7 PM
Title: ECOLOGY AS A FEELING
Exhibition date: 1st – 8th October
Venue: Il Leone Art Gallery, Roma, Via Aleardo Aleardi 12
Meeting the artists: Saturday, 8 October 6 – 8 PM
About exhibition
AQUA
We will also take part in this one-day art festival with a project dedicated to the water.
AQUA wants to emphasize individual and collective responsibility for the role and use
of this element for our planet and its importance for humans, fauna and flora. For our
society, water management is one of the greatest challenges and one of the priority
objectives of the 21st century.
The exhibition was premiere in Dubai in July. Now the artworks from different countries
can be exhibited in Rome, to draw the public’s attention to the notion of
interdependence because where water is threatened, so all forms of life on Earth are
too.
As a vital element, it is essential for the protection of biodiversity and ecosystems.
Natural resource par excellence, water is at the centre of considerations on the
consequences of climate change.
In mostra: Krisztina Arláth, Axel Becker, André Colinet, Decheng Cui, Aleksandra de
Pan, Lord Nicolaus Dinter, Eivor Ewalds, Lo Fehrling, Heide Fennert, g.f., Katarzyna
Gołębiowska, Martha Madrigal, Sharlene Mclearon, Christina Mitterhuber, Moniqqques,
Saether Morten, Anne Felicie Nickels, Nhora Ortiz, Kseniya Oudenot, Miya Ozaki, Lilly
Russo, Katia Seri
About exhibition
ECOLOGY AS A FEELING
While the climate exchange rages on, we turn our attention to nature and various forms
of life, and we begin thinking deeply about the feelings triggered in humans when they
come into contact with the elements, animals, and plants, etc.
The artist’s emotions and visions can be overwhelming. So, the art can help us address
current issues from a new angle in this delicate balance through feelings, like love or
optimism but also anger when something you love is damaged and values such as
ethics.
It will be very important to see your work on this thinking and the relationship between
man-nature.
Artists: Tone Aaness, Sergio Alessandrini, Antonella Argiroffo, Nicola Barth, Blair Martin
Cahill, Jo Do Joong, Pilar Rivero Donoso, Brenda Estrada, Giusy Foresta, Tamara Jare,
Corina Karstenberg, Begoña Lafuente, Amadio Lancia, Simona Momoni, Vera Nowottny,
Kerstin Nystrom, Kseniya Oudenot, Natalia Schaefer, Silvia Sette
About AMACI
Contemporary Day, the great event organized annually by AMACI to bring the art to
the general public will be held on Saturday, 8 October 2022.
Now in its eighteenth year, once again Day Contemporary will open the doors of 24
AMACI museums, along with about a thousand institutions throughout Italy and abroad
to present artists and new ideas through exhibitions, workshops, events and
conferences. This is a multiform programme that, year after year, has given the general
public an opportunity to experience from up close the complex and lively world of
contemporary art, making the event organized by AMACI the annual appointment that
officially opens the art season in Italy.
The eighteenth edition will take place on the national territory on Saturday 8 October
2022.
Thanks to the diplomatic-consular network of the Ministry of Foreign Affairs and
International Cooperation, made up of Embassies, Consulates and Italian Cultural
Institutes. Then there will be the involvement of the network of Contemporary Places
promoted by the General Direction for Contemporary Creativity of the MiC.
We are excited to be continuing this annual tradition from 2008
img credits: With_In – diptych 60×120 cm by Begoña Lafuente
ROSSOCINABRO | exhibitions | XVIII Giornata del Contemporaneo AMACI 8 OTTOBRE 2022
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I’ve been painting in my studio today, as usual.
Of course there are days when I work at different places, traveling somewhere I always keep my sketchbook with me. I sometimes make quick croquis on my phone, I’ve even made some sketches on paper napkins in a restaurant. Those don’t need to be elaborate sketches, but seeing a painting scene I have to put down at least a line or two, it serves as a sort of spelling word when I am back in the studio. Just a glimpse on my sketch and I remember the scene, colors, volumes. Which is just contrary to the photographs that were not taken by me, no matter how good they are, they won’t work for me in the sense of evolving into the painting scenery.
Second best help, alongside my own sketches, are photos taken by me. I usually take many almost similar pics and later, working at home, decide which one to use.
But besides taking sketches as references for my future painting at my studio I don’t paint outdoors.
Yet in a sense, I do bring outdoors to my studio, like I did today. Which simply means I go for a walk early in the morning and think about painting. According to the mood of the day, I pick flowers, twigs, some grasses. Making a bouquet from all that greenery, picking the vase and setting a still life in my studio, this altogether is already a part of my painting process. For when the floral still life is set to paint, it means I already know what I’d love to achieve. Which then isn’t always easy, sometimes much harder as anticipated. But contrary to the sketch of mine that can rest in my sketchbook ages just to give me all info upon just one glimpse of it, the still life I work on has to be painted as fast as possible, not because often the plants won’t survive, but mostly as the colors change so much with the days that after a gap of several days without painting I really hardly catch up to finish the work, my mood, the colors, the feelings change too much….
I’ve picked some yellow flowers today. Rudbeckias and solidago yellows are just glowing in the garden these days, but then I’ve found some magenta pink roses and those colors together were stunning. With some greenish late hydrangea blossoms the bouquet was ready to paint. I took a white tea jug with a blue stripe and when this impromptu still life with some lemons was set on the table by the window in my studio I added a red napkin, to get all these colors in an equilibrium of some sort. From here on the painting process was like a sort of meditation, painting has evolved by itself, the hardest part of the process has been keeping all the colors strong, vibrant and in accordance with each other. I’ve really loved the color of the light today, bright but with some clouds that have worked as a filter, accentuating the colors as only late August sun can do…….
I have been painting in my studio today………
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Today I’ve finished a new canvas- garden terrace. It is a contemporary landscape in just all the colors of late summer on the terrace in our garden. Small garden statue of a girl is silently watching colorful display of all the bushes, trees and flowers in the warm sun rays. How often have I sited here, quietly observing the clouds flying over the horizont and watching the butterflies and black birds, each year remembering the colors and noises from a year ago….and always dreaming about the summer that is going to come one day………
“Let me tell you the meaning of the sacred and alluring garden that blooms in the heart of the desert and produces the food of life. The garden for which you are currently heading is nowhere and everywhere except in the camps. It is another name for the only place where you belong, Michaels, where you do not feel homeless. It is off every map, no road leads to it that is merely a road, and only you know the way.”
― Life And Times Of Michael K
