I am immensely grateful to have two of my artworks featured in Time and Memory book. 📘📘📘
The book Time and Memory is the outcome of Arts to Hearts Project “Virtual Exhibition + Artist’s Book” . It is an international open call inviting artists to submit their work for an digital showcase. This project aims to recognize, celebrate, and support the creative talents of women artists worldwide by offering them a unique platform to present their art in a virtual format as well as in a beautifully crafted artist’s book.
This initiative, launched in 2024, represents the second edition of dual-format exhibition and publication. “Virtual Exhibition + Artist’s Book” is designed to be a comprehensive anthology that documents and celebrates the diverse practices and perspectives of contemporary artists. The project provides an immersive experience, combining the accessibility of a digital exhibition with the tactile allure of a traditional artist’s book. The Premium Collectible Edition is out now, available exclusively on @artstoheartsproject website, while the Regular Edition is also available on Barnes & Noble and Amazon.
Tamara Jare’s Bold Paintings that Invite us to See the World Differently
Tamara Jare is a contemporary painter whose work invites us to see the world with fresh eyes. In this interview, she shares her journey from growing up in an artist’s home to becoming a full-time painter. Tamara talks about how her mother, a professional artist, influenced her early years and how her studies in medicine and work in education have shaped her approach to art. She explains her love for using bold colors and light to capture the beauty and wonder she sees in everyday life. Through her paintings, Tamara hopes to make people pause and appreciate the world around them. This conversation offers a deeper look into her creative process and the personal ideas behind her artwork.
Tamara Jare is a contemporary figurative painter living and working in Ljubljana, Slovenia. With her late mother being a professional painter, art has been part of Tamara Jare’s life since the earliest age. Her formal education led her to study medicine at Ljubljana University, life took her on a varied path – raising a family as a stay at home mother and later engaging in international project work in education of the elderly – before she fully embraced her calling as a full time artist. Her journey has been one of evolution, balancing diverse experiences that now inform her artistic language. Her work has found a global audience, with paintings exhibited at curated shows in the United States, Italy, and Slovenia.
Her art has been featured on the official social platforms of prestigious institutions like the Guggenheim Museum in New York, Bilbao, and Venice, as well as Christie’s, Saatchi Gallery, and Sotheby’s. To Tamara Jare, the world is a miracle to behold, a vibrant interplay of light and color that reveals itself in fleeting, unrepeatable moments. Her aim as a painter is to capture this miracle and share it with those who see her work. She is drawn to figurative painting, working primarily in oil on canvas, a medium that allows her to harness bold, vivid colors and intricate textures. Her paintings weave together contemporary aesthetics with echoes of classical influences, exploring themes of identity and reinterpreting art history in a personal and universal way. Each painting is an emotive narrative, built with technical precision, inviting viewers to pause and see the world as she does, a place of wonder worth celebrating.
1. You describe the world as a miracle to see—how do you translate that sense of wonder into your paintings?
For me, the external realm is an object of perception that constitutes a vital, dynamic phenomenon that insists upon an affective encounter. I’ve been lucky to always see the world through a pair of kaleidoscopic lenses in my spirit. I can always see beautiful details, even when the weather gets stormy. That is not a choice but a gift that I am absolutely grateful for, echoing Dostoevsky’s conviction that “Beauty will save the world.” Then, on the other side, true art has to transcend the bounds of elementary artisanal practice, it emerges as an arterial conduit from the artist’s psychic terrain. You can not traverse a world in melancholy and paint Arcadian idylls, no matter your technical proficiency. Authenticity is always the sine qua non of true art.
Obviously, I always have that sense of wonder, for as an artist, I always feel like an eternal traveler, seeking and collecting impressions in color, pattern, and beyond the mere figuration, in seeking deeper connections, sense, and relevance to my inner self and broader society. My oeuvre arises from conscious apprehensions and subconscious, physiological impressions of colors and light. With acute visual acuity, I am attuned to the minutest particulars, chromatic hues, and structural patterns that I have to work on to synthesize a painting that reverberates with my subjective realm and the broader societal continuum. Einstein famously posited a binary existential stance – one may live as though nothing is miraculous or as though everything is. I steadfastly align myself with the latter. My canvases represent an endeavor to articulate this orientation.
2. Your mother was a professional artist. How did her influence shape your creative journey?
In many ways. Growing up in a house where art played a major role was a privilege. Being exposed to art can not hurt anyone, I believe, but for a person with artistic inclinations, that is just the perfect environment. Playing in my mother’s studio, listening to the talks about art with her artist friends, observing my mother working, and visiting all the art openings in the town since I can remember these all were influences that have shaped me as an artist and as a person. Beyond all these osmosis-like influences, pretty soon, my mother took a more demanding position regarding my art education.
She took extra steps to make sure I knew there was no talent that could outshine hard work and perfect technique. So, from the very early age of five years, she kept giving me lessons. She taught me all major painting techniques. At age eight,, I made my first oil portrait, a copy of Velázquez’s Infanta Margarita, using a layered technique. She would also go with me to paint in nature; we were sculpting in clay in our backyard. And I had to draw endlessly. Today, my command of the line is something I owe entirely to her stubborn faith in foundations. Her lessons went deeper than technique, though. She taught me that art means hard work. And to watch the world with my own eyes, to be truthful about my work, and to keep going.
3. From studying medicine to working in education, then becoming a full-time artist—how have these experiences impacted your art?
The life of an artist always impacts their art. As well as the lessons learned along the way. I believe my medical studies gave me two important insights, both of which resonate with my artistic methodology. Firstly, the discipline instilled an ethos of rigorous certainty – medicine allows no conjecture or half-formed resolutions, for ambiguity imperils the patient. This principle extends beyond the clinical sphere into the existential and aesthetic. In an era where facile conclusions are so common, not least among artists, I find it imperative to interrogate and resolve the uncertainties within my work with intellectual depth before advancing. Secondly, my study of human anatomy – down to the fossae, tubercles, and fascial planes – alongside all subclinical and clinical subjects furnished me with an understanding of corporeality.
Yet, more crucially, it revealed the human being as exceeding mere anatomical summation, it is a miracle of existence, which I work hard to interpret in my portraiture and self portraits. Subsequently, my engagement with European educational projects gave me a different yet complementary set of competencies. Among them, the experience of rejection (however meritorious the submission) taught me to navigate the caprices of external adjudication. In the contemporary art ecosystem, embodied by galleries, open calls, and digital platforms, among others, resilience in the face of denial becomes a requisite virtue. This capacity to persevere has proven indispensable in sustaining my practice. Together, these strands — medicine’s demand for certainty and depth and education’s lessons in resilience and articulation — converge in my art, lending it both a disciplined introspection and an adaptive tenacity attuned to the broader cultural milieu.
4. Bold colors and light play a big role in your work—what draws you to these elements?
Fernando Pessoa’s meditation from The Book of Disquiet perfectly translates to the world manifesting to me as an inexhaustible tableau of chromatic richness: “My soul is a hidden orchestra; I know not what instruments, what fiddle strings and harps, drums and tamboura I sound and clash inside myself. All I hear is the symphony.”. Color and light unfold to me across natural and cultural landscapes. Imagine all the greens of a young forest, deep blues of a maritime storm, the afternoon sun bathing the studio sitter in warm hues, reds of a rose bouquet, all the yellow nuances of those lemons from Capri, the variegated sandstone facades of Maltese architecture, all the colors of white glowing day cowered in December snow, purples of autumnal grapes or the deep green of the Tiber beneath the turquoise Roman summer sky. My attraction to these elements stems from their capacity to articulate this miraculous plentitude. They are both a medium and a metaphor, a means to directly paint the symphonic resonance Pessoa evokes. In this, my work aligns with the European tradition of seeing the material world as a conduit to the transcendent, where color and light build intellectual and sensory communion with the real.
5. You’ve participated in projects with Guggenheim, Christie’s, and Sotheby’s—how has that exposure shaped your artistic perspective?
Living in Ljubljana, Slovenia, far from the traditional art epicenters, has made my journey as an artist unique. The art market often feels elitist and competitive, yet finding my work featured by prestigious institutions like Christie’s, Sotheby’s, and the Guggenheim has been an unexpected and rewarding experience. Thanks to digital and social platforms, I’ve gained visibility that transcends my geographic location, proving that ambition shouldn’t be limited by circumstance. These opportunities have also allowed me to build meaningful relationships with fellow artists, offering a sense of community and dialogue that balances the isolation of solo work. These experiences have broadened my perspective, showing me that art can cross boundaries and connect us on a deeper level.
6. What do you hope people feel or take away when they experience your paintings?
Above all, I endeavor to instill in the beholder an appreciation of the world as a miracle to see, an ambition that, in its apparent simplicity, constitutes a formidable undertaking. I believe this primary desire aligns with a distinctly European sensibility that echoes the Romantic tradition’s veneration of the sublime and the ineffable. Beyond this foundational intent, my work seeks to unfold as a palimpsest of layered narratives, each encounter with the canvas yielding fresh revelations. I am keenly invested in constructing multi-stratal compositions, wherein meanings accrete and shift over time, a deliberate nod to the hermeneutic depth characteristic of European intellectual traditions.
Within this framework, I weave subtle art-historical connotations, embedding my paintings with a dialogue that spans centuries, inviting the viewer into a broader continuum of visual culture. In the realm of portraiture, this manifests as a dual commitment: the psychological delineation of the sitter assumes a parity of significance with their physical likeness. As a material record, the canvas bears the traces of my deliberative process — every compositional choice, every resolved tension — rendering visible the intellectual labor of its creation. Ultimately, my aspirations converge on a dual horizon: for the subject of a portrait, I seek their contentment with the representation, a fulfillment of the tacit contract between artist and sitter; for the viewer, I aim to enrich their perceptual experience, however incrementally, perhaps through the subtle inflection of a hue or the emergence of a previously unnoticed detail. In this, my work aspires to serve as both a mirror to the miraculous and a repository of nuanced discovery, extending an invitation to see and to see anew.
I am absolutely thrilled to have my portrait ”Luka” included in the “101 Art Book: Portrait Edition” [Premium Collectible Edition, Flip Book]! This stunning collection features 101 incredible portraits created by talented artists from around the globe. Encased in a sophisticated zig-zag hardcover with elegant gold foiling on the title, this art book adds a touch of luxury and refinement to any space.
Each page invites you on a visual journey presenting a diverse array of perspectives and styles that celebrate the beauty and diversity of Portraits.
Full-page illustrations capture every nuance and emotion of the subjects, offering an unparalleled visual experience
The Regular Edition, without gold foiling, will soon be available on Barnes & Noble and Amazon.
Featured artists:Alexa Wheeler, Alice dApolito, Alicia Chapman, Angela Meijer, Anika Eriksen, Anisa Mosaiebiniya, Annie Duguay, Anthoula Simadiakou, Ariel Li, BEHNAZ DARABI, Bernetta Li, Beverley Devonish, Brooke Bowen, Carolina Vargas Reis, Cesar Mammadov, Christina Cowan, Christine Roychowdhury, claudia sistelli, Dasha Dasha, Dawn Bouchard, Dead Boy, Dina Isabel Scholtes, Djamila Fierek, Edith Torres, Emily Faust, Fran Riley, Hatice Serce, Helga Renders, Hwa Seo, Irina Jomir, Ivana Bukovac, jackie chen, Jing Hsu, Jo-Anne Swain, Joanna Levesley, Johanna Bartschat, Julia Eichbauer, Kate Thompson, Kathleen Albright, Kaylah Ogilvie, Kiran Kumar, Kirsten Todd, Konstantin Sterkhov, Kris Kang, Krystyna Troitska, Kylie King-Hazel, Leigh Witherell, Leyla Cui, LingJung Chu, Liz Perry, Lize Krüger, Louise Santucci, LUCIA ROHRMANN, Maha Momtaz, Marc Brechwald, Marguerite Roux, Marianne De Roo, Martina Nevado, Marzieh Shojaei, Maya Sumile, Meghna Sharma, Melanie Berardicelli, Micke Buitendag, Micki Sedlmair, Mona Gandomkar, Monique Monique, Nadjejda Gilbert, Nanette Catigbe, Natasha Navasardian, Nathalie Moulinet, Nelson Javier (JAVI) Adams, Nicole Hagenhoff, Nicoy Downes, Oksana Karpiuk-Bariencik, Olena Hrynevych, Pare Patcharapa, Patricia Penteado, Pinar Ture Gursoy, Polina Pivak, Polina Starokon, Randa Hijazi, Ronis Varlaam, Ruth Boselli, Sabrina Hamel, Shana Covington Goodwin, Sharada Krishnamurthy, Shilpa Mate, Shue Cane, Siettie Fatimah binte Mustaffa, Soledad Burgaleta, Stefan Brock, Stephanie Schirm, Stephen Cornwell, Tamara Jare, Taylor Williams, Tori Rumpf, Valentina Benaglio, Xiaoyang Galas, Ximena Jijón, YANTENG XIONG, Zhanna Martin.
I’m absolutely delighted to be featured in the “100 Emerging Artworks of 2024” book by Arts to Hearts project , now available forpre-order! This annual publication is a curated collection of the top 100 emerging artworks, created by talented women artists from around the globe.
Book is curated by Danielle Krysa alias @thejealouscurator, a passionate curator, ensuring each piece inspires and challenges.
This book aims to illuminate fresh, challenging, innovative, and thoughtprovoking works created by women, shedding more light on their contributions to the art world. Our mission is to support more women in the arts, and this book stands as evidence of that commitment.
In this collection you’ll find:
– 100 emerging artworks of 2024 from around the world
– Artist statements and bios to provide insight into their creative processes
– High-quality paper and printing to showcase the art in its finest detail
Featured Artists list
Aadila Munshi, Addison Graham, Alexa Cayuque, Alexandra Chiou, Amanda Walker, Anna Matuszewska, Annienke van Hofwegen, Ariana Heinzman, Bri Hill, Caro Clarke, Carolina Delgado-Duruflé, Ceili Seipke, Charlotte Robertson, Christelle Mukesha, Christine Olmstead, Elizabeth Virgilio, Ellis King, Emilia Momen, Emily Faust, Emily Jackson, Epiphany Knedler, Fiona Ackerman, Genie Austin, Giulia Filippi, Iriana Muñoz, Jana Büttner, Julia Weber, Kate Rasmussen, Kelly Rossetti, Kelsey Overstreet, Kerrie More, Kethevane Cellard, Krishi Shah, Marianne Hall, Marryam Moma, Mitch Pilkington, Panita Siriwongwan-ngarm, Paulina M Johnson, Rachel Peters, Rhonda Urdang, Rumi Tominaga, Sabine Woudenberg, Sara Nygard, Sara Yourist, Sasha Krautman, Sena Clara Creston, Sofia Hernandez, Srishti Dass, Stacey Alexander, Tamara Jare, ATH Selection, Ali Rose Dachis, Amela Hasani, Amelia Olszewski, Angela Meijer, Anna Szelągowska, Camilla Cicoria, Carol Elkovich, Catalina Zambrano, Chantal Bourque, Claudia Werth, Colleen Dwyer Meloche, Donna Andronicos, Elena Kochetkova, Elodie Vagh Weinmann, Fanny Bok Yin Tang, Fiona Solley, Flaminia Bonciani, Georgia Loring, Izabela Beisert, Jennifer Ancizar, Joelly Cright, Julia Stanger, Lilia Daniela, Leila Winslade Evenden, Lisa Alonzo, Lorrie Robertson, Marti Gutfreund, Marzena Ablewska-Lech, Marzieh Shojaei, Mia Nel, Michelle Collins, Misha Gundersen, Nani Strides, Pari Aazami, Paula Rojas Videla, Peggy Morse, Philly Quick, Rachel Henriksen, Rachel Khomyak, Rikke Line Andreasen, Sakina Farhat, Sarah Lugton, Soledad Burgaleta, Tatsiana Dzyakava, Tehya MacKenzie, Tingyu Li, Toni Gallo, Tzu-Hua Tu, Yadi Liu, Yibei Liu.
Pre-order your copy now and be among the first to experience the latest trends and talents in the art world!
”This exhibition celebrates artistic diversity and cultural interconnectedness, transcending geographical and stylistic boundaries.
Born from a desire to make a selection of artworks accessible to the public, many of which have never been exhibited or only for brief periods, this show offers a unique opportunity to discover hidden treasures and admire the richness and variety of contemporary artistic production.
Through this exhibition, Rossocinabro reaffirms its commitment to internationalization, a path it has been following since its early years. The aim is to build a bridge between artists from different cultures and to offer the public an increasingly rich and varied artistic experience.
A collection without borders, with a completely different perspective, mirroring an increasingly interconnected world. Artistic boundaries have dissolved with the acceleration of cultural exchange, the mobility of people, and the circulation of information. It has become difficult, if not impossible, to define the boundaries of artworks and the individuals who have made art a universal language. The works on display here are a testament to this: a collection of heterogeneous stimuli that we can recognize as carrying out a certain research, without there being a specific geography or reference style associated with them.
“There is no common denominator, because we haven’t looked for one,” explains the curator and organizer of the exhibition, Joe Hansen. “Therefore, the goal will be to analyze and present the various aspects of contemporary art, highlighting the artistic value linked to the uniqueness and originality of each of the many and equally possible interpretations of the original work.”
Participating artists:
Elaine Asarch, Charlotte Baqai, Helene Brinzas, Lorraine Brown-Glessner, Patricia Canino, Alain Churlaud, Manolis Drosakis, Elisa Friman, Tamara Jare, Christine Kingerski, Rebeccah Klodt, Michael Lin, Hanna Liubinskaya, Fiona Livingstone, Gertrude Lozeau, Marcus Luconi, Sandra Meyer, Bobby Austin Mombray, Gerti Papesch, Mages Peter, Lin Pin, Gayle Printz, Giulia Rizzotti, Rosalorenza, Roger Schultz, Milos Sejn, Miyako Shimizu, Eleftheria Sifnaiou, Anne Swift, Tamara Sweere, Josefina Temin, Zahra Tharan
We look forward to welcoming you from Monday to Friday, from 11 am to 5pm
I am absolutely thrilled to be invited to join at the ”RESORT” online exhibit, curated by Michael Hanna, curator at Aedra Fine Arts Art Publisher & Online Gallery. The exhibit is now live and be viewed HERE. The online exhibit features 38 artists from across the globe making this the third largest exhibit in AFA’s 11 year history. Aedra Fine Arts is an art publisher and online gallery founded in 2014 in Jersey City, New Jersey. AFA initially started out as an artist community and curatorial organization hosting physical exhibits and artistic events across New Jersey, until evolving its focus on publishing an international catalogue with critical reviews on some of the finest established artists in the world. AFA is an independent nonprofit publisher and platform offering the public an insight into groundbreaking international contemporary art. AFA is based in Atlanta, Georgia – United States.
AFA specializes in writing critical essays about some of the finest established artists in the world. Through the international Artist Feature Catalogue, AFA publishes carefully selected contemporary artists who exemplify innovation and prestige. The curator writes a thorough analysis of the artists’ work and accomplishments as well as insights into their process and potential audience interpretations. The best works of the artists are curated into each catalogue article with breaks of text in between each image, giving off a magazine or newsletter type of appearance. Easy to read but with advanced writing, immerse yourself into our catalogue and explore current avant-garde directions in international contemporary art. Many of the serious professionals included in the catalogue have exhibited and been published by notable as well as elite galleries and institutions. Read the articles to view their resume summaries.
I am thrilled to be among the selected artists for the upcoming @artstoheartsproject book project “100 Emerging Artworks of 2024″” ! I am extremely proud to be among 50 artists selected by curator Danielle Krysa alias @thejealouscurator and can’t wait to share te further details!
I am absolutely thrilled to be featured at the art exhibition: Frozen Moments, Fluid Time 4 – 27 November 2024, Rossocinabro Gallery, Via Raffaele Cadorna, 28, Rome, Italy
”Through a carefully curated selection of paintings, sculptures, and photographs, this exhibition delves into the complexities of our temporal existence. Artists have long sought to capture the essence of time in their work, often using visual metaphors to represent the passage of time, the weight of history, and the fleeting nature of human experience. Frozen Moments in this exhibition refer to the ability of art to halt time. A painting, a sculpture, or a photograph can freeze a specific moment in time, preserving it for eternity. These works invite us to contemplate the significance of the past and to reflect on the enduring power of memories. Fluid Time, on the other hand, refers to the continuous flow of time and its impact on our lives. Works that embody this concept explore the idea of impermanence, the passage of time, and the ever-changing nature of reality. These pieces challenge us to consider the present moment and to embrace the uncertainty of the future.
By juxtaposing these two concepts, Frozen Moments, Fluid Time invites viewers to consider the multifaceted nature of time. The exhibition explores how artists have used their unique perspectives to capture the passage of time, the weight of history, and the fleeting nature of human experience.
Through this exploration, we hope to inspire you to reflect upon your own relationship with time and to appreciate the enduring power of art to connect us across generations and cultures.
Artists: Solange Aiçaguer, Elaine Asarch, Patricia Canino, Alain Churlaud, Michael Ferrell, Elisa Friman, Elena Furgal, Tamara Jare, Rebeccah Klodt, Simi Larisch, Hanna Liubinskaya, Fiona Livingstone, Marcus Luconi, Bobby Austin Mombray, Asuman Nuhoğlu, Gerti Papesch, Mages Peter, Gayle Printz, Rosalorenza, Milos Sejn, Miyako Shimizu, Eleftheria Sifnaiou, Tamara Sweere, Josefina Temin, Zahra Tharani” Curator Cristina Madini
Tamara Jare at Rome Art Week exhibition Singles Twins, curated by Rossocinabro Gallery
RAW – Rome Art Week aims to be a gift for Rome, for its ability to blend past and contemporary, for Roman citizens and art lovers, to allow them to explore the city from another perspective. Rome Art Week will invite critics and authoritative operators from the contemporary art field to give their vision on the state of contemporary art in Rome and to provide us with a guide through the routes to visit during the RAW week.
Curator Cristina Madini, Rossocinabro Gallery says: ”Once again this year, Rossocinabro is joining the Rome Art Week. From October 21st until the final event with the artists on Saturday the 26th, our galleries will come alive with an explosion of creativity. This year, we are proud to present the second edition of “Singles,” an exhibition celebrating the diversity and originality of contemporary art.
We frequent artists, galleries, peculiar exhibitions, workshops, and studios. We sniff the air, perceive the vibrating energy, the power of a brushstroke, the influence of colors and matter. We find diverse languages for extraordinary artists, unique talents that range from the human figure to abstraction, from urban art to photography, drawings, and design. We don’t care if a talent is still incomplete, because that’s where we come in, helping creativity to express itself and artists to realize their potential. For this exhibition, we have selected the works of:
Aldonza Almazan (Mexico), Dariusz Biegaj (Poland), Meglena Bozhanova (Bulgaria), Ioana Cobzaru (Netherlands), Alessio Costantini (Italy), Violetta De Saga (Ukraine/Germany), Lord Nicolaus Dinter (Germany), Maria Evseeva (Spain), Fadiese (France), Eleni Gemeni (Luxembourg), Stephen Harper (France), Tamara Jare (Slovenia), John (France), Bulgan Khatanbaatar (Germany), Yuki Kiyohara (Japan), Rebeccah Klodt (USA), Kirsten Kohrt (Germany), Gessica La Pira (Italy), Jennifer Langley (Canada), Odette Laramee (Canada), Simi Larish (Germany), Fiona Livingstone (Australia), Deni Mihaylova (Bulgaria), Kerstin Nyström (Sweden), Rosalorenza (Italy), Sonia Salvetti (Italy), Vethan Sautour (Austria), Tamara Sweere (USA)
Rossocinabro has always tackled the theme of the diversity of contemporary art, which eludes easy categorization. It features artists and works so different that it is always difficult to provide a rigorous reading or classification within an art system that takes as its criterion of categorization the period in which a particular type of art existed. To realize this, it is sufficient to compare the different works that can be found in any contemporary art gallery or art collection: it almost seems that these works are irreducible to each other, so great are the differences that separate them. Yet they are all children of our time, the result of creative elaborations by heterogeneous artists and therefore different from each other in terms of experiences, life paths, inspirations, influences, directions, addresses, developments, experiences, and areas of belonging. The result of this exhibition is aimed at disseminating and promoting the knowledge of a contemporary art that is not always present at art fairs and official exhibitions, and its multifaceted languages.”
Date: October 21st – 26th Venue: Rossocinabro Gallery, Via Raffaele Cadorna 28, Roma Meeting: Saturday, October 26th 6-8pm
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