Vintage art book or ”what is one man’s crap is another man’s treasure”
Last week I ‘ve happened to get a wonderful vintage art book. I’ve passed by a bookshelf, in public space, with a note attached on it. It read: Take with you as many as you want 🙂 Bring some you don’t need any more:)
The bookshelf was rather full. It seems people are energetically following Ms. Condo and books obviously aren’t very sparkly possession for many. Anyhow, I’ve looked closely as one never knows what can be hidden in such a library full of thrown away books. It turned out I really absolutely had to save one book, the one sitting alone among many How to do manuals, Cookbooks, Crime novels and Love stories. It hasn’t appeared as something like a new book, with the cardboard envelope even a bit torn down. But then inside this envelope, there were six lovely notebook like booklets. As I’ve read the title I’ve decided it goes with mes. For as said before: ”what is one man’s crap is another man’s treasure” .
The book is actually first part of four books series by Schmiedeberg Blume. The first tome is titled Grundlagen der Technik und Komposition and it is basically a textbook for painters. Printed in Berlin in 1927!
I am extremely happy I’ve rescued this book, reading it now and enjoying it’s vintage illustrations. Noticing some things haven’t changed that much in the last 100 years.
Have a look at some illustrations, aren’t they just marvelous?
Tamara
Ps: This weekend picking some books from my library to put on that bookshelf, hope to make someone happy 🙂
Some illustrations to enjoy
Cardboard envelope a bit torn down, will mend itGerman textbook for painters, printed in Berlin, 1927vintage illustration of easels, photo Tamara Jare illustration of watercolor tubes, Pelikan, Hannover, Germany, photo Tamara Jare book illustration, different painting brushes, photo Tamara Jareartist textbook illustration, two palettes for oil painting, photo Tamara Jaresaved artist textbook illustration, Pelikan ink bottle, photo Tamara Jare Vintage artist textbook illustration, wooden box for oil painting, photo Tamara Jare
From my studio Tamara Jare still life painting oil on canvas
From my studio is my first painting freshly finished in 2020. And I am happy with it. Mostly so as here I’ve painted all what I hope to be with me well on into New year. Window with a view. Colors. Art. Painting. Literature. Nature. And a cup of coffee.
Window with a view at the painting happens to be the actual window in my art studio. I am happy and grateful I have a place to work. View from this window has appeared in several paintings of mine, especially so as it is really a part of my world perception. How many times have I, from the childhood on, looked trough this window. With my gaze resting on near by hills, forest, gardens, sky. Thinking about my work. So this is the window I’ve painted here, together with the view, the nature and the blue sky I love so much. Yet I take window as a symbol , too. What would an artist be without a view, view in a symbolic, broader sense? Without broad sight no art is possible.
Colors have been part of mine since I do remember. My early memories are panopticum of colors. I’ve grown up in an art studio and there have always been colors in physical sense around me. And there has been a lot of conversation about colors all the time. I find color even in nuances of black or white, but couldn’t live without all the colors a sunny day brings. Or a rainy day. Absolutely does not mater as long as there are colors. For my perception of the world is trough the chromatic values of the visible spectre.
Art. Art as the highest and purest form of communication. Painting being the art I live for. Represented with the palette on this still life. .
Literature makes me happy since I’ve learn to read and write. Among the books on the pile is I Ching I’ve got from my parents, for my 20th birthday. One of the books that have shaped me and my life.
Nature helps me survive. Creating art or even life itself can get exhausting but a walk in the forest instantly gives me energy. Or an hour spent in the garden. Or painting flowers. And as it gets so interwoven I’ve painted the colors on the palette to resemble the nature. Equally the color of the drapery on the table is meant to bring greenery of the nature inside the studio. And to ask us: where all these colors came from, where the view leads us, what is reality and what is the painting?
A lot of sentences for a modest art blog like mine. Time for a cup of coffee served in vintage porcelain over the pile of books in the studio. What the 2020 will bring ? A broad view on art from my studio would just do it!
oil on canvas closeups Tamara Jare contemporary painting Tamara Jare contemporary painting art detail Napoli street market oil on canvas Tamara Jare contemporary painting detail
Painting process consists of solving many smaller and bigger problems. Yet painting done is no more just a sum of problems solved, it has to be much more. It has to live on its own. Finished painting presents as it’s own entity. Painting details reveal the path the artist has taken during the process. I’ve thought presenting you some of the closeups of my oil painting ”Naples Street Market” would be interesting. Hope you will like it:)
Forest path oil on canvas abstract landscape was painted this summer. It feels strange to me how long it took me to paint it. I basically knew what I wanted to make. This picture of the forest path near my home is in my head since I can remember. We used to walk it with my late mother, with my family, with my dog, as kids we used to play there. As I close my eyes I can see this path….I painted this canvas ”from inside”, relying on the photo I made just for certain details. But otherwise the Forest path oil on canvas painting was growing by itself, once started I couldn’t end, it was like all years of memories guiding my brush…..I was only concentrated to pick the right colors, to make the correct composition….
Rudbeckia Tamara Jare painting contemporary still life
Painting this contemporary still life oil on canvas was a real joy. For this small nature morte I used palette knife and brushes to capture a Rudbeckia bouquet from my garden. Yellow color of flowers and green color of the table cloth were so strong, and there was a pink vase, all together making a vivid nature morte composition. I wanted to keep this contemporary still life oil on canvas simple and clean. Playing with textures and color main aim was to represent joy of summer colors. Note the patterns of the table cloth, the trembling background and strong yellow flowers arranged with some grasses. And the blue patches, just to mirror the blue sky….. And an interesting detail, the pattern used in the green table cloth appears also in some of my Garden series watercolors. Check the previous blog post: Garden with blue colors. Thinking about the table cloth representing garden and the garden being just a table cloth with patterns of nature…..
August bouquet oil on canvas Tamara Jare contemporary still life
August is the time when summer turns toward warmer colors,preparing for autumn to come. There is still all that colorfulness in the air. Garden is as a big bouquet on its own. But all the colors are, little by little, loosing the sharpness of early summer, when all the promises were still in the air. Second half of the summer bears with it that certainty of coming September, ripe apples, end of summer holidays and fall colors of the trees… I loved painting that simple perception of the tranquility and transience of an August late afternoon, of the colorful flowers from the garden, off all the yellows of the summer days caught in a glimpse of a bouquet I made for the vintage glass vase. I wanted to get that feeling of trembling summer light, warm as summer can be, catching the viewer in the vertigo of August colors, just to make him remember it was a hot summer day……
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