Best of 2021
Best of 2021
Tamara Jare artwork is featured in ”Best of 2021: Mid-Year Report: Our expert curators share their favorite artworks produced by emerging artists in the first half of the year.” Rebecca Wilson Chief Curator and VP, Art Advisory, Saatchi Art has curated a collection of 140 artworks, selected from more than 1.4 M original artworks created by 94K emerging artists from over than 100 countries all over the world than are currently available at Saatchi Art.
Contemporary still life Rainy Bouquet is presented in the collection that can be seen here.
NFT art
NFT art has become a hype recently. There might be concerns about a tulip mania phenomena threatening the bubble inevitably pops one day. Yet the pandemic has pushed the margins of digitalization to the extent that one could not have imagined a year ago. Interesting enough, the technology has been accessible for a while yet the change of the perspective has been needed to push us to virtual places, from zoom classrooms to virtual art shows, just to begin with. Understanding the concept of NFT art world is a challenge, mostly as the basic concept of the art collecting has been redefined. I’ve been asked why anyone would buy something that is just a digital picture? Yet just the digitalization has offered the concepts of scarcity and the proof of authenticity. Which might be a big game changer. Today it is impossible to track the digital reproductions of any publicly posted picture which is a painful reality for an artist. Like I’ve been shocked to find out a person on the other side of the globe is selling vases with reproductions of my art on them, no permission or consent asked.
Anyhow, I’ve found the concept appealing, as an early adopter I’ve decided to give it a try. Love the learning process, love the possibilities new technologies offer. And, above all, love painting. So here it comes, my very first NFT, Ostia Antica Ruins, freshly minted to enter the world of future.
I’ve chosen my Ostia Antica Ruins Rome painting, just to remember the world is changing rapidly, but besides ruins art is the one to stay forever.
With a big wish, that there really will be place for true art in the future.
My first NFT art collection ”Tamara Jare Art” is accessible here
Exibition USTVARJALNOST FRANCETA AHČINA
Exibition USTVARJALNOST FRANCETA AHČINA opens today in Menaček Gallery.
Due to the Covid situation the exibition oppening is closed to the participating artists only.
The exibition can be visited each day from September 8th – October 17th 2020.
Exibition USTVARJALNOST FRANCETA AHČINA is dedicated to the late sculptor France Ahčin’s birthday 100 year ago, that has been celebrated in 2020 in his birth place, Domžale.
Artists birth home is today a museum Menačekov Domačija, with a permanent exibition of his donated artworks and a small gallery space for current exibitions.
”Portrait of Sculptor France Ahčin” is my painting presented in this group show. I’ve painted the artist, using some archival photographs kindly provided to all participants by the gallery. Visit the exibition to see my painting and all the other artworks!
Official Exibition Announcement/ Invitation
pARTICIPATING AT #cREATEBECAUSEWECARE
Participating at #createbecausewecare open call was my act of support for the health care and essential workers in NYC and worldvide. The public art contest was launched by @bigscreenplaza , New York. Inspired by the movement #clapforourcarers the project was meant to give messages of support, thanks and hope on Big Screen Plaza’s 30-foot digital billboard, located at 851 Avenue of the Americas, behind Hotel Eventi,
Between 29th & 30th Street, New York, NY 10001.
I am excited as my artwork has been chosen to be a part of this project. There are two reasons for my hapiness.
First: I am absolutely grateful to all the health and essential workers saving lifes and wish my still life painting is bringing at least some sunshine to them. That is basically the reason I’ve chosen my August Bouquet painting to participate with.
Second: I am absolutely thrilled by the initiative to put art on public places, for free, but with a strong message. As bad as these Covid epidemics times might be for the art world, I still hope for some good things to emerge. I hope there might be some good lessons learned. Like giving more value to art in public places. Making art more accessibile. Making art step out of the mundane galleries, to change the daily vistas of our cities, towns. Giving it the possibility to comunicate with each of us. And to make this world a better place to live in.
Big Screen Plaza, thank you for the opportunity to show my art to citizens of your city!
View the entire digital exibition HERE:
Create Because We Care from Big Screen Plaza on Vimeo.
Everything you can imagine is real
Everything you can imagine is real.”
― Pablo Picasso
Online exibition
Online exibition : Social Distancing International Virtual Exhibition has just opened, so to say, its doors. Organized by Michael Rose Fine Art in response to time of social distancing and facing new global realities of corona pandemy the show presents thirty international artists. I am thrilled to participate in this art show for more than a couple of reasons.
First, this is a juried international art show and it is a great honor for me to be part of it. Basically it is true that an artist knows, or should know, when his work is good , just good or excellent. And even recognizing a piece just made as a bad one it still means nothing more as that the show has to go on, meaning work must go on. Better piece is definitely a moment of satisfaction, but then always something new to accomplish awaits and challenges an artist. And from that point of view getting recognition from outside means the show will go on, yes, for sure, but it also means: hey there is something in your work somebody likes. And, lets be honest, this means a lot. So, yes, juried international art show is a great thing for self consciousness of an artist.
Second, Michael Rose is a professional in the field. I don’t want to sound pretentious but as an emerging artist I do use social platforms intensively. I am grateful for the technology making it possible for me to connect with the potential customers, galleries, curators, art advisors, art dealers across the globe. But, oh my, am I also tired of non professional attempts, people stealing my time or even trying to get me into art- scam bussiness. So, yes, working with a professional is a huge relief I am grateful for.
Third, covid epidemy has hit us quite hard. Living in Slovenia it means we got quarantine quite early and the rules were rather strict. With Italian Bergamo and its tragedy less than 200 km away from our border it was no doubt things were serious. Our life turned upside down in a matter of days. I will never forget my friend from Rome urging me to buy food and toilet paper in advance. There had been times the two of us discussed italian fashion shops and suddenly we were briefing each other about the time spent in queue in front of the grocery shop. Yes, we actally were lucky ones, we could stay at home, in social isolation, battling, so to say, in our living rooms, skyping and zooming friends. Yet there was certain amount of anxiety in the air. Listening the news had become a ritual and reading about the virus almost a must. But the creative part of me did have a thoughter time as one could assume. Creating art means escaping into universe far away, it feels like travelling different lands and it really can be a relieve in hard times. But there is a hint, to start that journey of creative process it helps to be perfectly calm. No bad covid news needed. So from that point of view the Michael Rose Fine Art open call was a sort of relief, it helped a bit to embark that creativity flight and work hard for a goal. For that goal also meant the isolation should once end….
And fourth: this is my ever first online exibition! This spring I am participating on art show in my home town, too, but it has been postponed due to corona pandemic. Which I hear is the case with so many recent exibitions over the world. We all know the technology is able to support us to work from afar, to connect across the globe, so it basically shouldn’t be a surprise art shows are going virtual in time of pandemic. I personally believe the post pandemic landscape will be much more technological, virtual, as we can assume now. But this is not for the good, not for the bad. It is just a matter of type of communication. Yet, which does matter, and which I sincerely do hope that is growing before our eyes, is a new paradigm of communication in the art world. Where it would be possible to connect with the like minded art minds, galleries, art collectors, artists across the globe, making a big step across the social, political, economic, racial, gender barriers separating us now. I hope the pandemic art would teach us how to surpass those boundaries to remain close to the only thing that matters: good art. I see this art show as a step towards that goal.
At the end, let me finish with a quote from the official online exibition introduction:
“The goal of this exhibition is purely to bring together an exciting grouping of diverse work presented in a digital space.” Michael Rose
Please have a look at the exibition here,
Thank you,
Tamara
White roses still life
New painting, just finished still life painting, White Roses on my Window, oil on canvas, 50x70cm.
Currently working hard on a special project, yet this crisp white roses bouquet was just too appealing painting motif to let it fade away…..now back to my project 😉
Museum sketches
Museum sketches I’ve made after photos taken by me. Objects are all part of different collections at Castello Sforzesco Museum in Milan, Italy. The sketches are in pencil, pen and coloured pencils on vintage paper. I intentionally made the sketches as croquis, with fast and fluent lines to make them light and vibrant. I was not interested as much in geometrical accuracy of the object as I wanted to work on the feelings I got seeing the object for the first time. In a way the artist’s mind and hand become a requisite for chasing the emotions. There remains just the question about how much of influence were the museum objects and how much the feelings I brought within me…..
From my sketchbook
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